The Deceiveds, acrylic, pen, carbon on paper, variable dimensions, 89 paintings, 1995/2008, courtesy of the artist
Even a prisoner in the dark hallways of Dyma, creates his own equivalence by chatting to himself and remembering stories, telling stories to himself, visualizing utopias. All this is an endless montage. With this I am not referring to the process of creating a video, but to all my work, which works as a recycling laboratory, which goes back to the old projects by re-dimensioning them and adapting them in a new context. It is very important for my work to show those particular stories manipulated by ready made products offered by the systems. Nowadays “describing” is unnecessary. As though “because you are young” should not create its own phantasmagorical aureole, but should reflect on all things if contemporary art is a necessity or “emergency”…
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